Tuesday, 24 March 2015

Adjusting an image for optimum appearance

 Adjust images for optimal appearance 

St Pancras Hotel

To the left is the original out-of-camera HDR JPEG. Below is the adjusted image, I used photoshop to make the adjustments.

I began by retrieving the 3 raw images used to create the HDR and re-merged them in photoshops built in plugin: HDR pro. I desaturated the whole image to almost 0, added a blue filter and re-saturated the light streaks created by the long exposures. Finally I rotated the image so the hotel was more horizontal.

Monday, 16 March 2015

Pre Raphaelite Research

Research for my Pre Raphaelite Project

I began my project to emulate and re-interpret a painting or photograph by the pre raphaelite brotherhood by first searching for examples of their work:

 I then, by clicking on an image of John Everett Millais, found a website called wiki art:


Here I found a list of all of the members of the Pre Raphaelite Brotherhood along with selections of their artwork. I browsed through much of their work, I found several of their literary artworks such as Cinderella by John Everett Millais and Historical paintings such as Lady Godiva by John Collier along with researching the stories behind the images on wikipedia. 








After researching many photographs I decided to emulate the painting: Pandora by Dante Gabriella Rosseti.
To be sure of my choice I withdrew a book from the library, the book was called "pre raphaelite paintings" Here i found several works i liked along with their related history / meaning. My eye was particularly drawn to Opheilia, 

However, I decided it was probably too difficult to replicate due to the location and unique look of the subject. 

 I am currently looking for other creatives (models MUA's) to work with on the reproduction of the painting.

 

Joseph Rigby




Monday, 2 February 2015

Lossy Vs Lossless Compression

Lossy Vs Lossless compression

Lossless compression is a way of compressing images that doesn’t remove any of the original data. This method of compression takes up much more memory than lossy compression, however, the loss of detail and information in digital images or any other file type are much less i.e. the quality of the image or file will remain equally as high as before the file was compressed.  

Any file formats such as Raw, or CR2 (canon format for raw files) etc are all exmaples of files that benefit from lossless compression.

Lossy compression is a memory efficient way of storing images and other file types. This is because when lossy compression takes place data and information from the file being compressed is deleted so as to reduce it’s memory uptake. Usually, information will be deleted in a way that is noticeable to any future user of this file.

For example, file formats such as Jpegs, png and gif are all compressed with lossy compression.


When you are simply looking at a jpeg image it will be difficult to notice the difference between that and it’s counterpart raw image. However, when you come to edit the image the lack of information in the jpeg image will be noticeable.

:) I hope you enjoy 

another hilarious tutorial brought to you by: www.josephrigbyphotography.co.uk.

Image copyright laws on the web

How does intellectual property and copyright laws apply to images being used on the Internet

Which images do copyright laws apply to?

Copyright laws on the web apply to any digital images taken on any digital capturing device or any images taken on a traditional film camera that have been scanned into a digital form. Copyright also applies to any illustration or animations that are present on the Internet.

However, some of the copyright laws and guidelines do only apply to photographic images

How long does copyright last?

Copyright laws exist on any image until the creator dies, plus 70 years after the calendar year of their death.

Who owns the copyright?

Generally, the owner of the copyrights to an image is the creator or creators’ of an image. However, if the creation of an image was commissioned on behalf of an organization it is not uncommon for the organization in question to own the rights to the image, rather than the creator of an image.  Also, the creator of an image may pass on the selling rights of an image to an agency.

What if you cannot find the person or party who owns the copyrights to an image?

Work in where the owner of copyright isn’t known, the copyrights to the image don’t simply just disappear. These works in question are called orphan works; if orphan works are used or copied this is still an infringement of copyright. If an image doesn’t come attached with a © symbol, copyright laws still apply.

Is their anyway I can be completely safe when using an image from the Internet?

The only way to be completely safe when reproducing an image is to retrieve the copyright from the owner of an image. Or, to retrieve an image from a website which states clearly in the terms and conditions that the image may be used and copied freely.

What are the consequences of copyright infringement?

Often the theft of an image can result in being forced to pay the usage rights for an image when the theft has been discovered. However, it can result in being taken to court and having to pay for the usage rights, the legal fees of both you and the copyright holder, along with having to take the image down from your website as well.

However, deliberate infringement of copyright on a commercial scale is against the law and can result in a criminal prosecution.


Basic introduction to copyright law of images used on the world wide web, for more information visit: https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/305165/c-notice-201401.pdf

Monday, 19 January 2015

Bitmaps Vs Vectors

Yay, this is fun. This is one of the topics that I believe most people get involved in photography for.

Bitmaps are exciting, bitmaps are like images, shapes or graphics made up of pixels, thousands or millions of pixels, imagine that. Millions of tiny little blocks all working together for the bigger picture.

But their not just little blocks you see, they have little personalities, little aversions and preferences. You see if you stretch a bitmap image all of the edges start to pixelate and look like a stair case. Some people generalise and call them bad names and berate bitmaps for being bastards when they stair case, but they don't understand that their just all working together to make the image look bad, it's like a little cry for help. Why can't you just accept us for who we are ? why do we need to change ? remind you of anyone ? Their all working together so you just let them be. Amazing isn't it, their just stretched too thin very easily. However, even though their hard to work with they have amazing advantages, photographs are essentially bitmap images. If you convert a photograph to a vector it just looks like a cartoon. But bitmaps, although they're hard to work with they definitely come with their advantages. Working with bitmaps is a bit like being Clint Eastwood's boss in Dirty Harry. You don't like the way they don't toe the line and follow all the orders but goddam your glad you've got them.

Vectors, when working with a graphic or shapes are without doubt the better format to work with. Vectors aren't made up of pixels, they're essentially made up of lines and mathematical equations allowing you to stretch them infinitely without ever losing quality. They are like people without emotions, you can stretch them to the limit. Their file sizes are smaller too, although they do take up more processing power. Have you ever seen despicable me ? the villain called vector? Vector graphics have essentially absolutely nothing to do with him, other than the fact he's good at maths.

However, a big drawback to vectors is that you can't use them in photoshop, they sort of just convert to a bitmap image and are made up of pixels all of a sudden. Vectors are really only used for designing graphics, logos, leaflets, websites and the like. Bitmaps on the other hand aren't very useful in this area because they aren't as flexible.

The important distinction to make here is that anything thats created with pixels is a bitmap, things like jpegs, gifs, bmp's. Common file formats for vectors are xml's, eps's, svg's, essentially all kinds of weird formats that, if you are a photographer at least, you hope never to see in your life. I guess, it's kind of like driving a car and hoping never to see a cyclist. I mean their there and your glad that they exist in the world, compensating for all of the things you, as a driver aren't currently doing, but you just hope not to see them because they kind of might get in your way. I do however, even as a driver like to see cyclists. It refreshes me, I like that people cycle and are doing good for themselves and the world. I kind of like to remove the boundaries between me and everything else and live in kind of a subtle and blissful oneness of it all, where there is little distinction between you, yourself and the cyclist over their in the rain, it's kind of like we're all in this together ? you know ? I'm driving because I have a young daughter and most of the time have too but at the same time the cyclist doesn't and instead of just sitting on his back, she's using that opportunity to better the world and them-self whilst just living out there in nature you know ? their stoicism inspires me, even though I can remind myself I do the same thing on a run sometimes, in the wind and the lashing rain I still feel their stoicism you know ? it still feels good to me ? I guess I was just trying to create a metaphor from the general perspective to help you understand, because I care about you too ? you know ? However, still as a photographer, I hope never to see an SVG file. Do you understand ?

So there you have it, Vectors Vs Bitmaps.

Vectors are based on Mathematical equations and so don’t alter or show pixels when you stretch them or zoom in. (vector data) 

Use more processing power than bitmaps
Made up from lines equations and calculations 
Individual elements can be grouped 
images are more precise than bitmaps
take up less memory than bitmaps

take up less storage than bitmaps

Bitmaps are of a specific size and don’t stretch well, they also show “stair case edges” when you zoom in. (raster data)

Use less processing power than vectors





Tuesday, 16 December 2014

Lines in photography


Lines play a huge role in photography and can be used for numerous purposes. By replicating the three dimensional world through a two dimensional medium, depth perception is lost  and so lines are a very important tool for recreating  a sense of depth and perspective. 


It’s important to note, that lines are not exclusively produced by actual physical lines in a photograph like below: 

A HDR I took in Manchester City Centre
Lines can be much more subtle. For example, they can be created by a contrast in colour tones, a contrast between light and dark focused areas of the image and more.


Diagonal lines  

in the western world we have a tradition of reading from left to right and when viewing a photograph we use a similar process, Scientists have discovered that when western people look at a photograph or a piece of art, we start at the bottom left corner and work our way into the rest of the image. In Asia the process begins from the opposite side, as they are trained to read from right to left. Using diagonal lines in a photograph to lead your viewer from the left in towards your subject is a great way of utilising this fact. Lines used in this manner are often described as leading lines. 

In the image below I used a blur tool over most of the ocean to reduce the focus, however I (used a mask on the layer I applied the blur with and) created a path between the bottom left of the image and the boat, allowing that part of the image to remain in focus. Which in turn created a leading line for the viewer to follow from the bottom left of the image towards the boat and into the rest of the photograph:

Lake Geneve, Switzerland
When numerous diagonal lines are used in an image they can be arranged so as to simulate a feeling of action within the image. 



Horizontal lines


Horizontal lines, especially when they span the full length of an image can convey feelings of calmness, stability and peace. They remind us of great horizons and vast expanses of water, however horizontal lines can be boring when unbroken. Although, this is easily solved by the addition of intersecting vertical lines of some form. For example, the way the colourful sails below break the line of the horizon. 

Dorset, UK

Another trick to accentuate horizontal lines, used in the image above, is to shoot landscape or even wider so as to prolong their length and exaggerate the feelings they can convey. 

Vertical Lines

Vertical lines are known to provide a sense of growth or power within in image. However they can also give a sense of rigidity to an image where as horizontal lines are more free flowing. 

The affects of vertical lines can be accentuated by shooting in portrait and also by configuring your composition to crop the lines before they end, this can give the viewer the notion that the subject is too big to be captured and provide the subject too with a sense of grandeur or strength. See how the tops of the trees have been cut off in the image below:

New Forest, UK

Thanks for reading ! Feel free to check out my website at: www.josephrigbyphotography.co.uk

Clone Stamp Tool

The clone stamp tool is a photoshop tool that allows you to, in affect to very quickly and easily copy one area of an image and paste it onto another area of an image. Below are a couple of images i have produced to show how well it can be used.

Here is an image of somebody's forehead with a tiny bit of eye brow in the bottom right I included for context.



These two images represent how the clone stamp tool may be used, the top image is pre-use and the lower image is after-use. Although I am using it here for portraiture work it is possible to incorporate anywhere. 

The basic controls are as explained below:


1) Select the icon as shown: 













2) Hold alt and click - to select the part of the image you would like to clone

3) let go of alt and click on the place you would like the cloned part of the image to be pasted.

Finished

However, you can improve the effectiveness of the tool by incorporating the use of brush sizes, hardness, softness and layer modes etc to tailor the results to your own needs.

Thanks for reading ! Feel free to check out my website at: www.josephrigbyphotography.co.uk